Every profession has a special way of preparing for the task at hand, and we’re no different in the world of media and content creation. Ever see a professional chef organizing ingredients or sharpening knives in the preparation of dinner service? That’s called mise en place, which translates to “everything in its place.” Mis en […]
Joseph Lawson has been in the field of Visual Effects for over 20 years, with credits on iconic movies and shows like The Lord of the Rings: The Return of the King, Star Trek: Enterprise, and many films from The Asylum (the Sharknado series). The father-son team at Lawson Digital Arts bring us their latest […]
What is the ACES workflow? ACES. It’s a simple term, with plenty of difficult-to-grasp concepts behind it. Nevertheless, let’s take a step forward with an entry-level explanation of what ACES is: ACES, or Academy Color Encoding System is considered to be the ‘industry standard’ for colour. Think of standardised traffic laws but for colours instead! ACES […]
While the vast majority of ProductionCrate assets are available for commercial use, a small selection of our content is subject to editorial use. ProductionCrate assets labelled with an Editorial License fall under different usage terms than assets that fall under our standard license. These assets may be subject to and protected by another party’s Intellectual […]
I remember coming across a web series 6 years ago that got me excited for indie creators. Usually, webseries tend to bomb. Even when they’re well made, they tend not to get very many views, especially compared to the one-off videos a lot of creators release. I get it. Watching a series is a commitment we […]
I came across Jared’s work not so long ago and was instantly impressed by his style and skill. Jared was kind enough to take the time to answer a few questions for us. If you’re looking to enter the field of Visual Effects or Motion Graphics then this interview is a must-read. Jared’s answers were […]
Story: The Great Unseen Equalizer in VFX There is an art to using VFX as an unseen tool. So much consideration goes into the curating of what you, the viewer, see at any given moment, that it is easy to forget about what you don’t see in a shot. But more often than not, what […]
The SyFy Channel has a long history producing VFX heavy Shark Week films, and 2018 was no exception. One of those films released was the SyFy original Megalodon (not to be confused with The Meg (2018)) We had the pleasure to talk with Matt Dean, a VFX artist who knows a thing or two about […]